For this Florence + the Machine poster, I wanted the image to feel like a scream caught between the body, the spirit, and the machine.
The final artwork was created for the Everybody Scream Tour, April 28, 2026 in Tampa, Florida. From the start, I knew the piece needed to carry the drama and emotional scale of Florence’s music: romantic, theatrical, haunted, and powerful. It could not feel clean or quiet. It had to feel alive.
The central figure became a kind of mechanical apparition: part skeletal portrait, part saint, part stage-lit machine. I built the face and body with anatomical fragments, gears, cables, ribs, bones, halftone textures, and rough screen print grit. I wanted it to feel beautiful and unsettling at the same time, like something resurrected through sound.
The color palette pushes that tension even further. Deep reds, violets, hot pinks, bone whites, and warm metallic tones collide across the print, giving the piece a feverish concert-poster energy. The stars, spirals, gears, and distressed type all add to that sense of motion, like the whole image is vibrating.
One of my favorite parts of the piece is how the “Machine” side of the band name becomes literal without turning cold or robotic. The mechanics are woven into the body, almost like organs. The gears and wires feel ritualistic, handmade, and human—less science fiction, more gothic machinery.
This was a fun one to push all the way. Loud type, heavy texture, strange anatomy, screen print noise, occult sparkle, and a big dramatic figure holding the whole thing together.
Huge thanks to the team for bringing me in on this one.
Florence + the Machine
Everybody Scream Tour
April 28, 2026
Tampa, FL
